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He became a recluse, making a home for himself in a cave on Salamis (The Cave of Euripides, where a cult of the playwright developed after his death).
"There he built an impressive library and pursued daily communion with the sea and sky".
Aeschylus had written his own epitaph commemorating his life as a warrior fighting for Athens against Persia, without any mention of his success as a playwright, and Sophocles was celebrated by his contemporaries for his social gifts and contributions to public life as a state official, but there are no records of Euripides' public life except as a dramatist—he could well have been "a brooding and bookish recluse".
He is presented as such in The Acharnians, where Aristophanes shows him to be living morosely in a precarious house, surrounded by the tattered costumes of his disreputable characters (and yet Agathon, another tragic poet, is discovered in a later play, Thesmophoriazusae, to be living in circumstances almost as bizarre).
After a debate between the two deceased bards, the god brings Aeschylus back to life as more useful to Athens on account of his wisdom, rejecting Euripides as merely clever.
Such comic 'evidence' suggests that Athenians admired Euripides even while they mistrusted his intellectualism, at least during the long war with Sparta.
Plutarch is the source also for the story that the victorious Spartan generals, having planned the demolition of Athens and the enslavement of its people, grew merciful after being entertained at a banquet by lyrics from Euripides' play Electra: "they felt that it would be a barbarous act to annihilate a city which produced such men" (Life of Lysander).
Tragic poets were often mocked by comic poets during the dramatic festivals Dionysia and Lenaia, and Euripides was travestied more than most.
On the other hand, if you do get a reputation for surpassing those who are supposed to be intellectually sophisticated, you will seem to be a thorn in the city's flesh. — Medea, lines 298–302 Athenian tragedy in performance during Euripides' lifetime was a public contest between playwrights.They sit at the feet of Socrates Till they can't distinguish the wood from the trees, And tragedy goes to POT; They don't care whether their plays are art But only whether the words are smart; They waste our time with quibbles and quarrels, Destroying our patience as well as our morals, And making us all talk ROT.In The Frogs, composed after Euripides and Aeschylus were both dead, Aristophanes imagines the god Dionysus venturing down to Hades in search of a good poet to bring back to Athens.In fact the boy was destined for a career on the stage, where however he was to win only five victories, one of which was after his death.He served for a short time as both dancer and torch-bearer at the rites of Apollo Zosterius.